I've been working on a dual track: rehearsing the existent scenes with bill in the room for a while. Then bill goes off to do his rewrites (as well as the last three circles) while I rehearse without him. His addition to the room is crucial - since no one knows his plays inner workings as well as he does at this point. After watching the rehearsals you get the sense he knows where he has overwritten, or under explained
Yesterday we spent some time on the last two circles (the last words of private reeves followed by his inner monologue in hell). And then we teched.
Today we will present the show to some friends who can't go tomorrow. 9am - 12pm. No wonder I am cranky. Its early!
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